THE GOOD FAIRY. (1935)

M

I saw this striking photo of MARGARET SULLAVAN and was curious about the film it was from – THE GOOD FAIRY.

Margaret is wearing a hussar’s uniform and is holding at right angles a device – which is actually a torch. The three colors are so vibrant.

I didn’t know anything about the  film so couldn’t figure out why Margaret was in this uniform.It never occurred to me that she is actually playing an usherette in a cinema!

M

There are lots of good things in this gossamer light comedy, but generally the plot and dialogue weren’t that funny. Or else my sense of humour took a holiday .

Margaret is Luisa Ginglebusher, an 18 year old living in an orphanage in Budapest run by BEULAH BONDI. They get a visit from ALAN HALE who is looking for some pretty girls to be usherettes in his lavish cinema, ‘The Dream Palace’, which he proudly tells them seats 3,000 .

Alan Hale,Beulah Bondi

Alan Hale,Beulah Bondi

He chooses Luisa who is reminded by Beulah  that she should try and do a good deed every day. The ways of the world aren’t mentioned.

We next see Luisa in her uniform marching downstairs ( in the lobby of Hollywood’s Pantages Theater) .

M

A terrific shot inside the magnificent Pantages.

M

Mr. Schlapkohl (Alan Hale) lines his girls up like a military troup.

There is a great scene where Luisa stands to attention, holding a neon arrow  which lights up as she directs filmgoers to the right or left of the auditorium.

Nigel Bruce, Margaret Sullavan.

Reginald Owen, Margaret Sullavan.

Reginald Owen is a customer,Detlaff who gets confused with Luisa’s arrow pointing.

Luisa has never seen a film before and when she shows someone to their seat, she is overwhelmed by the big screen and ,almost hypnotised, slowly sits down in the auditorium next to Detlaff.

The scene  shown on screen has June  Clayworth  and Gavin Gordon playing  a feuding couple who are parting but the lady doesn’t want to leave. Gavin just keeps saying “Go” in clipped tones to everything she says . He says the word about a dozen times and it is very funny.

Later the usherettes leave the cinema, and like showgirls in a theatre, there  are men waiting outside. Luisa is accosted by CESAR ROMERO but manages to get rid of him by saying she is married and running after Detlaff and taking his arm.

Though puzzled, Detlaff takes her for a beer and she tells him her story. He invites her to a party at his hotel the following night. (He’s a waiter).

 

M

Reginald Owen, Margaret Sullavan.

 

At  the party Luisa is again overwhelmed , this time by the swish society people she sees. Detlaff tries to keep an eye on her, telling her to mingle.

She is approached by rich business man, Konrad (FRANK MORGAN) who takes a shine  to her and invites her into a private dining room. There is some funny business as Detlaff tries to dissuade him from choosing anything on the menu.

Luisa uses the same excuse again, telling Konrad she is married. But that doesnt put him off. He offers to make her husband rich and Luisa thinks it would be a good idea ,so she picks a lawyer out of the phone book! She hopes he is poor so she can be his good fairy .

Then we meet Max ( HERBERT MARSHALL) who is indeed a poor lawyer.

The story is wrapped up after Max and Konrad forgive Luisa for the deception. Konrad employs Max as one of his lawyers and Max and Luisa get married at the orphanage.

Personally, I would have preferred the story to stay linked to that magnificent cinema. Alan Hale and Beulah Bondi disappear in the first 20 minutes of the film. I can only take so much of Frank Morgan’s fluttery,nervous laugh and I’m still not a fan of Herbert Marshall.

I very much liked Margaret Sullavan and Reginald Owen.

PRESTON STURGES wrote the screenplay and WILLIAM WYLER directed. Both would have great  careers ahead of them.

And a pleasure to see such a fine print of this 80 year old film.

 

 

M

Herbert Marshall, Frank Morgan,Margaret Sullavan,Reginald Owen

 

A wonderful shot below when Luisa tries on a fox fur and sees herself reflected in a receding mirror .

M

 

Margaret is in pigtails at the start of the film before leaving the orphanage .

M

 

M

 

 

M

William Wyler,Margaret Sullavan .

Wyler and Sullavan married shortly after this film.

 

 

All the advertising for the film features Margaret in her uniform,though  she only wears it in one scene  at the start of the film.

M

4 responses »

  1. Yes, it would have been fun to spend more time at the theater! That part was fantastic. I do like Herbert Marshall, but I have to agree that Frank Morgan was rather too much in this film and the scenes with him went on a bit too long for my taste.

    It is rather interesting how all the advertising emphasized the uniform!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s