……..Re-watching THE RACKET (1951), Robert Mitchum ‘s ‘Captain McQuigg’, several times refers to William Tallman as a great young cop – as if Tallman ‘s character was in his early 20s, or at least much younger than Mitchum.
WIlliam Tallman was two years older than Mitchum and they looked like contemporaries age wise.
In The Racket, I kept expecting we’d find out who was ‘the old man’, (the head of the criminal organisation) but we never did. I was sure it was one of the group at the start of the film when the special prosecutor gets the support of the state governor to pursue .
……….MYRNA LOY did an interview with Dick Cavett in 1980. She was 74 at the time and proved to have a very good memory, ready to talk in detail about her career.
Myrna pointed out that she was a dancer in the 1920s at Grauman’s Chinese and Egyptian theatres and credited Sid Grauman for her first job. Hence her comment below.
Myrna said, “I was an exotic and stayed that way for a long time……then I went to MGM and became a star.”
“We made The Thin Man in about 21 days.”
As I’ve commented several times before, if only someone like Leonard Maltin or Robert Osborne had been able to sit down with Myrna for a couple of hours, what an interview that would have been!
……….. I came across a 1950 radio series in which TED DE CORSIA (1903-1973) played a Scotland Yard inspector, with an impeccable British accent. And I am not the first to think that Ted sounded just like Ronald Colman!
The link is at oldtimeradiodownloads.com. The series was called “Pursuit.”
He also played Mickey Spillane’s ‘Mike Hammer’ on radio in 1953/54, under the title, “That Hammer Guy”!
Mr. de Corsia had a long career on stage and radio before starting in Hollywood in 1947. With his looks and gruff voice, it wasn’t long before he was typecast as the gangster in most of his films. He had the menace that brought him plenty of parts.
…………I caught up recently with COME BACK LITTLE SHEBA, but didn’t particularly like it. But I was impressed with SHIRLEY BOOTH(1898-1992) who had a distinguished career on stage – she was the original ‘Liz Imbrie’ in “The Philadelphia Story”.
After the Broadway success of “Come Back Little Sheba, (for which she won the Tony), Shirley got the chance to make the film version, promptly winning an Oscar.
But other roles she created on Broadway went to other stars. Shirley was ‘Ruth Sherwood’ in MY SISTER EILEEN ,but the film role went to Rosalind Russell. She was ‘Bunny’ in THE DESK SET ( Kate Hepburn in the movie); and her play THE TIME OF THE CUCKOO (1953) became SUMMERTIME in 1955, with Kate Hepburn.
Eve Arden replaced Shirley in the Joan Crawford film of GOODBYE MY FANCY.
Shirley actually only made less than a dozen films. She was very good in 1958’s THE MATCHMAKER, and I would love to have seen her in the musical remake, “Hello Dolly” . She was also a singer and did a Broadway musical version of A TREE GROWS IN BROOKLYN (1951) in which , as ‘Cissy ( the Joan Blondell role) ,she sings ‘He Had Refinement’ – which is very funny.
Another of Shirley’s films which disappointed me unfortunately.
In the 1960s, Shirley had further success on television as HAZEL, winning two Emmies in the hit comedy.
Quite a talent who should have done more films.
………….And finally, NEHEMIAH PERSOFF turns 100 on the 2nd of August, 2019. A fine character actor, active till 2003.
He made his film debut in 1948 in THE NAKED CITY and played many varied roles throughout the 1950s and 60s. A member of The Actors’s Studio, he was ‘Little Bonaparte’ in SOME LIKE IT HOT, and had roles in ON THE WATERFRONT, THE HARDER THEY FALL.
I remember him in THE BIG SHOW, a remake of HOUSE OF STRANGERS, in which he took on the Edward G. Robinson role. In 1983, he played Barbra Streisand’s father in YENTL.
Nehemiah was in every TV show you care to mention, and played everything from Ali Baba to Mussolini! Generally he played pretty intense characters ( that Actor’s Studio training!)
Nehemiah took up painting in the 1980s and there is a website, http://www.nehemiahpersoffpaintings.com where you can view his work.
His second film, ON THE WATERFRONT.
Oh the wonderful Shirley Booth. Only 4 movies (as a leading actress) and yet so memorable. I watch ABOUT MRS LESLIE over the years and always enjoy it. I find it best to concentrate on the Booth/Ryan characters and forget the rest! A terrific Dolly Levi in the MATCHMAKER (why didn’t Paramount film it in colour?) HOT SPELL seemed to be a lost movie until it turned up on Youtube, albeit a dismal copy. Her part there has similarities to Lola in COME BACK LITTLE SHEBA. We can also enjoy her songs in A TREE GROWS IN BROOKLYN on disc and BY THE BEAUTIFUL SEA. . THE GLASS MENAGERIE from 1966 is well worth a look, also on Youtube plus a play where she portrays Perle Mesta who was renamed Sally Adams in CALL ME MADAM. Thanks for this Vienna
Good to hear from you,John. I imagine Shirley would be great as Perle Mesta.
She was, although she played the character from young to older with no visible physical change which was disconcerting! Fun though.
Years ago she was on a TV show….possibly Perry Comos’ singing I am the Queen of Nicotine to the Gypsy Song music from Carmen. Versatility!
Thanks for sharing all of the fun discoveries. I had no idea of versatile Mr. Persoff’s artistic side.
Thanks, Paddy. Quite a few performers were skilled artists.