As much as I can watch DARK PASSAGE (1947) any day of the week and enjoy it, the more I see it the more I find to comment on. I love the San Francisco locations and all the character actors who appear in the film.
The story of Vincent Parry (Humphrey Bogart) who escapes from prison and tries to prove he didn’t kill his wife. Help comes in the shape of rich girl, Irene Jansen (Lauren Bacall) whose late father was also wrongly accused of murder .
Sam the friendly cab driver quickly recognises Parry as the escapee and quietly says, “You’re a guy with plenty of trouble” .
Sam proposes they pay a visit to his pal, the surgeon who can give Parry a different face.
i can’t better a phrase I found from one reviewer to describe Houseley Stevenson’s character – a clandestine face-rearranger “!
He might be a back street, discredited doctor, but he still takes pride in his work – and doesnt over charge! $200 for a 90 minute procedure and no need for check-ups. And no evidence of the operation one week later!
Tom D’Andrea and Housely Stevenson are part of the great ensemble cast who get to shine in just a scene or two.
Who is the face of Vincent Parry? The actor, Frank Wilcox has been mentioned, but I think it’s a portrait which has been drawn with some similarities to Bogart, especially around the eyes.
Checking for a photo of Frank Wilcox, I discovered a site, http://www.frankwilcox.org which has organised a Wilcox festival for the past 7 years! How about that.
Based in De Soto,MO where Wilcox was born, the latest Festival is in March and will show 3 films he was in – LADY GANGSTER, SANTA FE TRAIL and MIRACLE OF THE BELLS.
I’m still trying to figure out why Bacall’s character, ‘Irene ‘ would be friends with ‘Madge’ (Agnes Moorehead). We know Irene was at Parry’s trial every day. She would therefore have seen Madge give evidence that put Parry in prison.
There’s no suggestion Irene kept close to Madge in order to help Parry. And wouldn’t Madge know about Irene’s involvement in the court case.
Scene stealer, Agnes Moorehead as the malevolent Madge . She really does steal all the scenes she is in. Madge is a woman scorned (by Parry) who happens to be just a little crazy!
The great thing about location shooting is that often you can put yourself right on the spot where a star stood decades earlier.
Dark Passage had some great scenes filmed in San Francisco and a great website for information on films shot there is www.reelsf.com
For instance there was a real Harry’s Wagon In 1947 at 1921 Post Street. These converted railway cars were popular at the time.
The scene in Harry’s Wagon where an off duty detective played by Douglas Kennedy becomes suspicious.As with all the film’s casting, Kennedy is convincing in his couple of scenes as he questions the nervous Parry.
And just because I like him in his only scene in the film, here’s two shots of Rory Mallinson (1913-1976) who plays Parry’s best friend, ‘George Fellsinger’ who falls foul of the mad Madge. I wish George had survived!
In the scenes before we actually see Bogart’s face, I was surprised at the first person perspective which had been used less than a year earlier in LADY IN THE LAKE. Though the camerawork in Dark Passage seemed much smoother, with the use of a hand held camera.
Which brings me to the premise of viewers not seeing Bogart in front of the camera till a third way through the film. Of course, without it, the plot line about plastic surgery wouldn’t work.
And Bogart couldn’t have been comfortable in the bandages that covered his face for several scenes.
Considering how big a star Bogart was in 1947, Warner Brothers executives must have discussed how filmgoers would react. For the first 20 minutes you only hear Bogart’s voice, then his face is covered in bandages for several scenes.
On balance, I like the way it was filmed because it enhanced the mystery element and gave us all these great scenes with the cabbie, the doctor and the small time hood .
( Clifton Young ,who played ‘Baker ‘ who tries to blackmail Parry, was only 34 when he died in 1951. Young had a cleft chin to equal Kirk Douglas!)
That scene with Agnes Moorhead. Is it an accident as Vincent tells Irene later? Why is she reaching for the drawer handle? I have no idea. But the crazy ‘Madge’ definitely throws herself out the open window as a final act against Vincent.
As ‘Madge’ screams, “Nobody will ever have you…..They’ll believe me! They’ll believe me!”
What do I know about framing camera shots, but this one does highlight the art. Bogart in the foreground, the cop looking around and the busy bus company clerk. And the hat brim set at just the right angle. Perfect. Bogart as Parry is so concentrated on talking to ‘Irene’, that he is unaware of the policeman. And simply by making the call at the right time, he isnt spotted.
The song Vincent played on the juke box. Jo Stafford sang it. Richard Whiting and Johnny Mercer wrote it. Great song and a perfect musical theme for the film.
How does Dark Passage compare with the other Bogart/Bacall teamings. Simply looking at the characters they play, they are so low key compared with the smouldering intensity of TO HAVE AND HAVE NOT or THE BIG SLEEP.
I’d argue that the role of Vincent Parry didn’t really suit Bogart , at least not the Bogart the public expected in his films with Bacall. I couldn’t say that only Bogart could have played the role of the quiet spoken and reserved Parry.
But the whole film has you routing for Vincent Parry. He deserves a break and we want him to get it. He deserves that getaway to South America!
The original novel by David Goodis who adapted it for Warner Brothers.
The two children seen near the end of the film boarding the bus Parry takes were Deborah and Michael Daves, children of Delmer Daves.
In joke : Delmer Daves as Irene Jansen’s father in this picture.
San Francisco on display.
At the Golden Gate bridge where Jimmy Stewart and Kim Novak had a powerful scene in Vertigo.
Bogart takes a trolley car.
Irene’s apartment building.
Just today a friend gave me a slightly battered copy of the magazine, FILM WEEKLY from August 31, 1934.
i was immediately struck by the cover picture of Greta Garbo in QUEEN CHRISTINA. It wasn’t a still from the film, but a beautiful drawing by a Canadian artist, GRANT MACDONALD (1909-1987).
In the magazine Mr. MacDonald is described as “just over from America where he has sketched many of the leading stars. He has drawn a splendid series of star portraits specially for a Film Weekly.”
Sadly, I have been unable to find any other star drawings by Grant MacDonald. His career included work in Canada, Britain and America. His theatrical portraits appeared in the Herald Tribune and Theatre Arts and many of his portraits of actors were used in theatre programs in London and New York.
Film Weekly began in 1928 and eventually merged with Picturegoer magazine in 1939.
Also spotted in this issue was this ad for FLYING DOWN TO RIO, indicating that Dolores Del Rio was the name above the title though the public were about to discover the talents of Astaire and Rogers. And was this the only time Ginger’s name appeared above Fred’s ?
Among the “News Snapshots” in the magazine was a little item:
After spending £5,000 on the story and treatment, MGM have been forced to give up the idea of filming THE POSTMAN ALWAYS RINGS TWICE owing to ‘anti-dirt’ agitation “ !
(MGM finally made the film in 1946.}
My thanks to Bob for the link to to this Grant MacDonald painting of Kay Francis from a January 1935 issue of ”Woman’s Film Fair”.
What a start to Claude Rains’ Hollywood career. Playing the title role in H.G.Wells’ THE INVISIBLE MAN (1933), Rains is literally invisible until the final scene.
He’s covered in bandages and wears dark goggles, but that beautiful speaking voice and the way he carries himself when walking made it unmistakably Rains.
Claude Rains plays the obsessed chemist,Dr. Griffin who thinks he can help humanity but instead, is driven to madness by the drug he takes which causes invisibility.
Dr. Griffin: “An invisible man can rule the world….he can rob,wreck and kill…..even the moon’s afraid of me!”
Director James Whale, on left , on the set with Claude Rains.
There are some great special effects – in one scene there is a headless and footless pair of pyjamas!
Not much of a role for the lovely Gloria Stuart. She plays Flora, girlfriend of Dr.Griffin. Her father ,Dr. Cranley (Henry Travers) whom Griffin worked for, tries to help Griffin.
Una O’Connor, as the wife of the innkeeper , spends a fair bit of her screen time screaming! (I kept having to turn the volume down!) She is always so believable in all her roles.
Best line in the film comes from the farmer who says, “Excuse me sir, there’s breathing in my barn.” (Griffin is hiding there.)
Impressive ending when Griffin is surrounded by the police who set fire to the barn where he is sheltering. When he runs out of the burning barn, although invisible, his footprints can be seen in the snow and he is shot.
I did recognise John Carradine in his brief, uncredited scene as one of the villagers who calls the police with his idea for catching the Invisible Man. (The police have offered a reward.)
Also in small roles, Mary Gordon and Walter Brennan.
And finally we get to see Claude Rains in the film’s last scene when Dr. Griffin is dying and he gradually becomes visible.
Rains’ s second film, CRIME WITHOUT PASSION (1934) is on You Tube. Disappointing.
Always liked this early Universal logo, with the plane flying round the world.
The Invisible Man spawned a lot of sequels and TV shows.I’d like to see the three films from 1940 and 1944.
Played for laughs.
A British TV series , 1958-60, starring Tim Turner.
David McCallum starred in 1975/76.
In both television versions, the invisible man is a force for good.
There is talk of a new film version this year.
Front Row. Joan Tetzel, Ann Todd, Ethel Barrymore.
Where is Alida Valli?
The court room in WITNESS FOR THE PROSECUTION.
But no stars visible.
Ava Gardner, Robert Taylor.KNIGHTS OF THE ROUND TABLE.
Robert Ryan, Spencer Tracy, John Sturges. BAD DAY AT BLACK ROCK.
A bored Edward G. Robinson, Gail Russell, director John Farrow and John Lund.THE NIGHT HAS A THOUSAND EYES.
Sylvia Sidney, George Raft, Director Fritz Lang. YOU AND ME.
Director Jean Negulesco, Cornel Wilde, June Allyson.A WOMAN’S WORLD.
Burt Lancaster, Katharine Hepburn, director Joseph Anthony. THE RAINMAKER.
Lew Ayres, Olivia De Havilland, Robert Siodmak. THE DARK MIRROR.
The script cover says “I am lost. Return me to Mr. Siodmak.”
Bogie relaxes with Tim Holt, as John Huston studies the script.TREASURE OF THE SIERRA MADRE.
Rita Hayworth, Glenn Ford. THE LOVES OF CARMEN.
Havent seen this one.